Wired Moth release note
Hunter-Gatherer
Keith Fullerton Whitman
Two long real-time documents with the casing left open. One catches Whitman’s computer music in public motion; the other lets hybrid digital-analogue patterns spread across the room after hours. Process music as lived-in voltage, not white-coat proof.
How the machine enters
The release joins a live performance identified by Whitman as Computer Music with a later set of hybrid digital-analogue synthesizer patterns. His official site describes the surrounding practice as improvised live electronics captured in real time and research into generative and process systems across analogue and digital domains; no machine-learning claim is made.